Directory

I develop and create innovative visual solutions for clients based on holographic, Virtual Reality, tablet devices etc…
Started with webdesign in the 2000’s, then Flash animation, but quickly moved to 3D animator and motion design.
Specialties: 3D modeling, animation, Motion design, After effects, Blender, VR world creations, Unity, C#
I also give classes and advanced workshops about Blender

I’m an Art Director and Motion Designer specializing in high-end visual narratives through 3D animation and product design. My work sits at the intersection of creativity, strategy, and technical precision, transforming ideas into cinematic visuals that elevate brand identity and audience engagement.

With a background in motion design and visual communication, I began my career at SICPA in 2016, leading visual content for global institutions such as central banks and governments. This experience sharpened my ability to guide complex storytelling projects from concept to execution, balancing aesthetic direction with technical mastery using tools like Cinema 4D, Redshift, and the Adobe Suite.

As a freelancer, I lead creative projects for clients who value bold visuals and meaningful storytelling. I’ve collaborated with Swissquote, 23Bis, Donuts, Incito, SICPA, and Glid Studio.
I directed and produced premium animations across sectors like luxury goods beauty, beverages, and high-end consumer tech. My process covers the full visual pipeline: from concept development and look direction to modeling, shading, lighting, VFX, and post-production.

I bring a strong artistic vision paired with a deep production mindset, allowing me to lead teams or deliver high-impact solo work depending on the project. Always exploring new visual languages, I aim to push the boundaries of digital storytelling and craft memorable brand experiences.

I am a 3D and compositing artist.
Living in Switzerland, working remote.

My main tools are NukeX and Cinema4d
but i’m also on speed in the most common applications.

I started my career as a 3D animator and transitioned into VFX supervision and directing a decade ago. I’m a filmmaking technology geek—old, new, practical, or digital—always on the lookout to create that cinematic wonder that makes you say ‘Oh wow!’ or ‘Oh sh**!

Since 2010, I’ve been helping agencies, brands, and design studios transform ideas into impactful visuals. From Switzerland to London, Paris, and Los Angeles, my passion for design has driven me to push boundaries and embrace new challenges.

My goal is to immerse, and engage, your audience, into the heart of your story. By understanding the challenges of each project, I create tailor-made solutions.

Typography is at the core of modern visual communication, and with lettering, calligraphy, design and storytelling, I craft words that are uniquely yours. Every detail matters.

I dedicate my time and energy to telling your story in the most compelling way!

VFX Supervisor/Producer/Datawarngler and Creative Director in Zurich/Switzerland working on Commercials, TV Shows and Film. 30 years experience in CGI and VFX, 15 years as VFX Supervisor onset and VFX Producer in Budget up to 10Mio.

VFX Supervison Setup with Mirror/Grey Balls, 360° Cams, Withness cams (360° and action cams upto 8K), Highres 360° HDR campture system and spesifiv special tools if needed.

Have a Lidar Longrange Scanner Riegl VZ-400 (upto 700m at 3mm precision), ScanTech iReal 2E SLS Scanner (from 10x10x10cm upto 3x3x3m at 0.075mm precision), Photogrammetry and 3DGS Systems and drones

Drone Certification A1/A3 and A2

Data Backup System mobile for 3times copies on set (audark upto 36h) with stationair Storage mobile up to 64TB

I’m a VFX Supervisor & Artist based out of Los Angeles with a career spanning across features, television and advertising.

I most recently served as overall VFX Supervisor on THE STUDIO, helping create the many invisible visual effects on the critically-acclaimed Apple TV series.
My previous work includes features and television shows such as GUARDIANS OF THE GALAXY Vol.2, MS. MARVEL, FARGO.

Originally, I’m an architect. Over the last many years I became a specialist in the creation of full 3D cities.

Jean-Paul Cardinaux is a creative visual engineer and director with over 30 years of experience. Passionate and detail-oriented, he masters cutting-edge production technologies, including motion control and virtual sets. As a designer of practical visual effects and complex camera movements, he brings precision and innovation to every project. Through his work at mocoloco lab and collaborations with leading Swiss watch brands, Jean-Paul creates innovative product films and lifestyle visuals that redefine storytelling for high-end objects.

Coming from an entertainment/film lighting and design background and having worked on some great productions, in 2020 I shifted to more virtual and 3D related workflows mainly utilizing Unreal Engine for anything from Greenscreen virtual production to being Technical Director for the 3D team for live Augmented Reality opening ceremonies over the last couple of years.

Outside of the events/film industry I also have a strong interest in 3D software development.

Currently residing in Switzerland

I grew up in a peaceful village on the shores of Lake Ceresio in Ticino, surrounded by magnificent mountains. During summers, I spent my time in Puglia, savouring the lively ambience. My passion for exploring new places and savouring has been a part of me since childhood. I am fascinated by the various hues and lights travelling, each narrating a silent yet profound story.
Equipped with my camera, I capture these tales and share them with the world.

Some I worked with clients include WB,AMAZON PRIME, NETFLIX, PARAMOUNT,
My work is showcased on Oscar nominee show as Great Gatsby, Prometheus

After attending the New York Film Academy (NYFA), USC’s School of Cinematic Arts Summer Program in Los Angeles, CA and receiving the UCLA Extension Business & Management of Entertainment Certificate (Earned with Distinction), Jean de Meuron graduated with a Bachelor’s degree (Film & Media Studies) from The New School in New York, NY. He was honored with Outstanding Academic Achievement for his consistency on the Dean’s List.

Jean was an Executive at internationally renowned director Roland Emmerich’s Centropolis Entertainment, where he worked on ‘Tides’/’The Colony’ (2021) and the epic sci-fi disaster film ‘Moonfall’ (2022), which was theatrically released globally in February 2022. Upon its streaming release on Netflix, ‘Tides’/’The Colony’ was the #1 Movie in the U.S., claiming the top spot in the Top 10 ranking of the most watched films.

Jean’s professional directorial debut, the epic ‘Edge of Space’ (2024), made the 97TH OSCARS® Shortlist – Live Action Short Film. Since 2019, Jean has been a Member of the Academy of Motion Picture Arts and Sciences (AMPAS) in the Short Films Branch.

Born and raised in Switzerland, Natasha is a Technical Director in VFX for movies (mostly at Industrial Light + Magic/Lucasfilm), with a specialty in Lighting and Look Development. Since 2018, her background and expertise in Textile and Fashion Design, both digitally and in real life, have brought her to collaborate on the development of avatars in immersive experiences, which led to 3 years at Meta where her expertise in textiles was key to various researches on virtual textile reconstruction (as in fiber and textile structures) and garment reconstruction for simulation and all-inclusive grading. Virtual Textile and Costume Design is what she’s currently focusing on.
Her movie credits include several Star Wars, Transformers, Harry Potter and Marvel movies. She holds a Master’s Degree in Computer Graphic from ECAL (Lausanne, Switzerland), as well as a degree in Education and a background in Fashion Design.

I’m a senior Nuke compositor working in Montreal. After studies in graphic design and working 16 years as a self-employed 3d generalist in Switzerland for brands like Chopard, Rolex, Novartis or Nestle. In 2015, I felt it was time to discover new horizons working for big studios like MPC, CineSite, Sony and FrameStore.

I have been a digital matte painter and concept artist for more than 30 years. I lead the art department at RodeoFX L.A. as an art director/concept artist.

With over 20 years of experience in visual effects, I have worked as a VFX artist across Switzerland, Paris, Montreal, and London before transitioning into a consultant role over the past decade.

In 2008, I founded Swiss Made VFX, a platform dedicated to promoting Swiss talent in visual effects and animation. While the site closed in 2018, its legacy continues with Helvetia Motion Arts, a renewed initiative to showcase and support Swiss artists in the industry.

In 2010, I launched The Art of VFX, which has since become a leading resource for the global VFX community. Through in-depth interviews and industry insights, the site connects professionals and enthusiasts with the minds behind some of the most groundbreaking visual effects.

As a member of the Visual Effects Society since 2012, I remain actively engaged in the industry, collaborating with studios, professionals, and organizations worldwide. My mission is to bridge the gap between artists, studios, and audiences while highlighting the creativity and technical excellence that define the world of visual effects.

I am 3D artist with years of experience, including as a Lead artist and a Master’s degree in 3D & Digital Special Effects.

I have worked as a 3D artist, Lead Character artist in game and in animation companies, plus 8 years of freelance as character and asset/props artist, developing concepts and art.

• Character and asset development. • Creating 3D models from concept drawing, to modeling, retopologizing, texuring, grooming, lookdev. • Creating 2D art and animations. • Coordinating teams for projects as required.

Senior VFX Compositor with a decade of experience, specialized in creating visual effects for movies and series. My expertise extends to 3D modeling, texturing, and lighting with a good foundation in animation, skills that feed my passion for CGI and allow me to have a global vision of the projects.

Having a strong sense of organization and responsibility, I also enjoy sharing my knowledge with my colleagues. In fact, I’ve created a YouTube channel called “The AG’s Way” where I produce tutorials aimed at inspiring and contributing to the growth of the VFX community.

Working as a freelancer since 2021, I am available for remote assignments and enthusiastic about taking part in innovative and captivating projects

Kunal Ghosh Dastider is a multifaceted and highly experienced VFX Supervisor with a career spanning over two decades. He has travelled the globe, leading teams on multiple tentpole features and episodic series. His most recent credits include “Goosebumps : The Vanishing”, Brian Duffield’s “No One Will Save You”, “Sonic the Hedgehog 2” and Marvel’s“Loki”
Born in Zurich and living in Montreal, Kunal joined Pixomondo in 2024.

cdrc. is a freelance motion graphic & title designer based in Berlin. Specialize in kinetic typography, motion graphic design, graphic design, and art direction for the film industry ‘n culture, with a keen eye for minimal design.

I’m a freelance Motion Designer based in Geneva with a focus on 3D. I work mostly with french studios on inmersive shows and video mapping and sometimes with direct clients for their visual communication or commercials. I use mainly Cinema 4D and After Effect.

Roman Kaelin is an Emmy-nominated and award-winning director, visual effects artist, and studio based in Zurich, Switzerland, driven by a passion for unique imagery and storytelling. He works out of PULK, a full-service visual effects and animation studio made up of a collective of artists, directors, and animators.

Guido Lanari is a director/designer based in Lausanne, Switzerland. With over 15 years of experience spanning product design, retail, fashion, and advertising, he brings a multidisciplinary perspective to his creative endeavors. As the founder and director of Glid Studio, Lanari specializes in 3D design and animation, exploring the intersection of art and technology to push the boundaries of human creativity. His work encompasses various industries, including industrial design, retail, advertising, film, music and visual effects, reflecting a commitment to innovation and a passion for blending diverse design disciplines.

As an experienced ICVFX Tech Artist specializing in Virtual Production, I am passionate about leveraging the power of innovative software tools to bring creative visions to life. With expertise in Unreal Engine and Houdini, I prioritize pushing the boundaries of what’s possible in this dynamic field.

By harnessing the capabilities of Unreal Engine, I create immersive virtual environments, interactive experiences, and stunning visual effects that captivate audiences. This powerful platform allows me to realize your creative vision with unparalleled realism and interactivity.

In addition, Houdini empowers me to craft intricate simulations, procedural animations, and complex visual effects. Its node-based workflow and versatile toolkit enable me to deliver awe-inspiring visuals that enhance the storytelling experience and push the boundaries of creativity.

While my skills in Editing and Color Grading are solid, my true passion lies in ICVFX and Virtual Production. These chapters of my expertise are the driving force behind my work, enabling me to create captivating virtual worlds, breathtaking visual effects, and engaging interactive experiences.

Moreover, I understand the importance of procedural modeling systems in streamlining content creation. These systems allow me to efficiently generate versatile assets that can be easily modified and customized to meet the evolving needs of your project.

If you’re searching for a dedicated ICVFX Tech Artist who can leverage Unreal Engine, Houdini, and procedural modeling systems to their fullest potential, I invite you to connect with me. Let’s collaborate to create groundbreaking projects that captivate audiences and redefine the possibilities of immersive storytelling through the seamless fusion of artistry and technology.

More than two decades of experience leading international teams and projects in commercial and cultural sectors, applying creativity and emerging tech for products, pipelines, and experiences. Rich experience in film, animation, VFX, games and digital projects. Hands-on executive producer mentality, with a focus on strategy as well as content production, process and execution. Additional nonprofit board experience with VERA and IGDA, supporting game development community in Switzerland.

2D compositing with Nuke / Animation GFX with Aftereffects / Blender

Sunnyside Games is a Swiss-based game developer dedicated to creating artful action games for PC and consoles.

Motion designer with a focus on animation and a love for cinematic storytelling and drawing
@mr.stoca

During his 18 years of professional experience in Switzerland and Japan, Adrian Suter has been working for various production companies – predominantly in the advertising industry but also for corporate image, broadcast design and film. Since 2012 he has been working self employed and as a freelancer successfully. During his creative journey he has created various 2D and 3D animations, from simple Logo animations to motion graphics, technical animations, camera animations and complex character animations. The scale of most of these projects required him to develop skills in various other fields, of which he enjoys concept design, art direction, creative direction, compositing, computer simulation and visual effects the most.

In every project he involves himself in, Adrian tries to push his own limits to develop new skills and to find a unique style of design and animation.

CG Supervisor at Rodeo FX in Montreal. Although unusual in appearance, my path from architecture school to digital visual effects is in fact perfectly logical.

I first became interested in architecture and completed my studies as a draftsman at the Verdon-Pachoud architectural studio in Switzerland. After graduation, I joined the team of Polygone Architecture, where I work as a partner and member of the management committee. In addition to site management, I perform several tasks more specific to computer science, including 2D and 3D design, project design and visual presentations.

I then decided to move to Montreal and study at the NAD Center, a renowned school in the Canadian metropolis that specializes in teaching 3D. After my studies in computer graphics, I began my professional career in the world of visual effects, which quickly led me to become head of the layout department and then CG supervisor at Rodeo FX, where I have been sharing my knowledge and passion with my colleagues for over fifteen years.

Ismael ist Mitbegründer und CTO von Sycoforge, einem Schweizer Entwicklungsstudio mit Fokus auf interaktive Echtzeitanwendungen und Games. Mit einem Hintergrund als Full-Stack-Engineer und fundierter Erfahrung in Softwarearchitektur hat er sich früh auf Visual Computing, Echtzeit-Rendering sowie Interaction- und UX-Design spezialisiert. Seine Leidenschaft gilt immersiven digitalen Erlebnissen und der Verschmelzung von Technologie, Design und Storytelling.

Seit 2025 leitet er den Fachbereich “Game and VR Development” an der Fernfachhochschule Schweiz (FFHS), wo er seine Expertise auch in die akademische Ausbildung und Forschung einbringt.